[ Chinese wardrobe network ] If there is a positive correlation between practicality and aesthetics, then this may be somewhat inconsistent with the sentiment of some of our consumers. Otherwise, when we face some consumers who choose wardrobes , how can we often hear such a sound: the wardrobe design is not so fancy, the most important thing is practical.
Or to say: the wardrobe is too beautiful and useless, expensive and not real, practical best. According to their meaning, it seems that the practicality and beauty of the wardrobe are opposite. This view is not only reflected in the consumption of wardrobes, but also in other consumer markets. Of course, this is part of the opinions of people. Perhaps, this part of the people really bought a lot of very fancy but not practical products, or how they would have such opinions. This does not blame the product, blame the consumer's vision, mistakenly believe that some things with a fresh surface but mediocrity are beautiful. Consumers with aesthetic tastes should believe in a high degree of unity of practicality and aesthetics.
There are constantly scholars who explain the inevitable connection between practicality and aesthetics.
Israeli scientist Noam Tractinsky raised the question: Why are beautiful items more useful? He first suspected that the experiments of the two Japanese scholars might be flawed, or they might only apply to Japanese people and not to Israelis. He said: It is obvious that aesthetic preferences are culturally relevant. Japanese culture is known for its aesthetic tradition. He believed that the Israelites were different from the Japanese in aesthetics, so he re-doed the experiment in Israel. In the end, he got the same results as the Japanese, and its effect is stronger in Israel than in Japan.
Noam Tractinsky was very surprised, and the repeated experiments shocked his belief that practicality and aesthetics would not be relevant. In the follow-up, scholars have been involved in this discussion, and various explanations have been made on the relationship between usability and aesthetics. One of the scholars explained that designers who value aesthetics must have all kinds of good emotions, and good emotions will help designers. Azimuth to solve the utility problems faced by users. Probably so, if you really want to understand the psychological operation mechanism, you may want to find some design monographs to see.
The enlightenment of this debate on the design of the wardrobe
The environment in which the wardrobe is used is the bedroom, which is relatively private to the consumer and involves the daily needs of the consumer. At the same time, the aspects of practicality need not be considered less than other design items. Therefore, the practical consideration and aesthetics of the wardrobe design The consideration is very practical.
Always paying attention to the latest achievements in the design of the academic world, can still bring us a lot of new design awareness in the wardrobe industry.
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