"Seventy-seven Days" Conference Held in Beijing

Meeting Time: On the afternoon of April 19, 2017 Meeting Venue: LG Grand Ballroom, Oriental Grand Hyatt Meeting Theme: The First Chinese Outdoor Adventure Film Conference, “77 Days”:
Moderator (Guo Yu): Dear leaders, distinguished guests, as well as the media friends at the scene, good afternoon! Welcome to the first press conference of the movie "Seventy-seven Days". I'm Guo Ye from CCTV6 movie channel, and thank you for your time. Why do we say it for the first time? We must share it with you because the movie lasted for three years. We have experienced many difficulties in the past and experienced various challenges in filming. We experienced the hinterland of China’s five uninhabited areas. A series of statuses, such a mystery that we can unveil today, is also the most sincere state of this film. Why did you choose to publish this movie during the Beijing International Film Festival? Because this film and the Beijing Film Festival have a very deep fate, three years ago, at the Fourth Beijing Film Festival, our "Seven-Seven Days" movie was awarded a jury prize by the jury. Here, there is a feeling of returning to her family's report performance. I feel very cordial, and there is also a time for handing in a satisfactory answer.
In fact, this video has found some information on the Internet. There is a key word called "The highest difficulty movie in Chinese history." Why not say so, is not to sing high-profile, really encountered too much in the shooting, but also encountered difficulties, "high" because in the shooting process has reached a height of 6700 meters, "difficult" because it has gone deep into the human can not The inhabited polar environment traveled to China’s five largest areas of no man’s land. After a while, when our director came up, I would like to talk about the difficulties encountered in the shooting of these five uninhabited areas. Although all the media, guests, and filmmakers who came to the audience are very knowledgeable people, I believe that the five majors are not. This area of ​​the human area is not touched by everyone. So if you say too much about the video, if the host says too much, it's better to take a look at a piece of flower to learn more about the behind-the-scenes extras when we shoot. Please look at the big screen.
(Play VCR)
Moderator (Guo Yu): I think we really should give applause to us for these respectable and lovely movie people. It is because of this bravery that this courage and support has allowed us to see more distinctive movies. , let us see the scenery and scenery that we cannot normally see. I think the scenery except their bravery and persistence, once again gave applause to our beloved filmmakers on stage today, including Jiang Yiyan, including Zhao Dao, including behind the scenes. The hero is not good.
Beijing is spring and everyone feels warm, but when they see this film, they will feel a bit of cold when they see this film, because I think that when they were shooting, it was cold that we couldn’t imagine. Of course, seeing the director’s experience of the high altitude experienced in the film is that everyone dared not have the courage to challenge, so let's have a good chat with this brave person who must come to power. Then there is the following director and actor Mr. Zhao Hantang who is in the "Seventy-seven Days" come to share with us the behind-the-scenes story of filming. Welcome Zhao, once again sincerely admire you. We have just started talking about feeling brave. We have seen this film with a little bit of flowers. We did not cover all the three years of the process. We have already felt your courage and talked to you. A chat. Say hello first.

Zhao Hantang: I would like to thank all the guests, thank you friends of the media, as always for supporting all our outdoor friends, as well as our producers, can wait for so long, took three years to shoot, and there is a year later to let everyone Waiting a long time, I am very embarrassed, this is a film taken in four years.
Moderator (Guo Yu): I think it is not embarrassment. We are dedicated and responsible for this film. We have a lot of time to finish the film. I feel that the status of the later period is more important, there are too many materials, and sometimes it is in the process of cutting. Difficult to give up, encountered such a state.
Zhao Hantang: Yes, because we have some designs at the stage of the script, it is not ideal to shoot them out. We got help from the Garnett of Xinjiang and sent us a wolf. However, some of the wolf's shootings had unexpected gains. We restructured some of the plots, so the longer-term process during the later period.
Moderator (Guo Yu): Did you mention that the wolf was raised by us?
Zhao Hantang: Yes, I was very worried that there might be some plot settings in the special effects area that were not easy to implement. Then I thought about a stupid way to raise myself and train on my own, so that we could do it with ease.
The host (Guo Yu): Training is not like home pets, cats, it is difficult to tame, no human nature, or human nature, it is a very dangerous state, do not know if it has encountered in the process Particularly big challenge.
Zhao Hantang: The wolf is very clever. We have met this wolf well and everyone can see it when the movie is released.
The host (Guo Yu): It took three years to say that there was a late period. How long did the previous shooting take?
Zhao Hantang: In the past three years of our time, in fact, this idea was first started. I have a certain degree of confidence in taking the entire crew and high altitude. I first invited ten friends and we went to a no-man's quarter together and took a trip. , took a trailer. Through this visit, we made up our mind to make this movie, so in the end we had a crew of more than 80 people and more than 20 cars went to no man's land. There was a section of us just a mile or two from the highway, but all our cars were cut off and everyone couldn't get out of the way.
Moderator (Guo Yu): Why do you choose the most difficult types of movies? Whether you are physically or mentally or mentally challenged, why should you challenge yourself?
Zhao Hantang: Because we all like to go outdoors, we walk into nature, but instead we feel closer to our hearts. I hope that the mountains and rivers of our motherland are so magnificent that through our films, we will present magnificent mountains and rivers. On the screen, present the puzzles faced by young people at the moment. Let's discuss together, how to deal with fate, and how to face our lives.
Host (Guo Yu): This is the state of your own life presented in the film, a kind of perseverance, a kind of bravery.
Zhao Hantang: Okay.
The host (Guo Yu): In fact, just mentioned five large areas of no man's land. It is possible that many people know where the five largest areas are without human beings, and let the director tell where these five large areas no one has gone and where they are shooting the most difficult places.
Zhao Hantang: Actually, in our story, Yang Liusong passed through the Zang-Tibet deserted area. The Zang Zang no man's land included Tibetans, Kunlun Mountains, Hoh Xilili, and Alkin. The Hoh Xil area was the highest altitude in the deserted area. One of the largest uninhabited areas. However, on this shooting, we had some scenes in the Qaidam Basin. Some Qalam Basin waters were blasted with more than one Qaidam.
Host (Guo Yu): When you see this video, you ride a bicycle and challenge in the water. Where is the unprotected bicycle lost?
Zhao Hantang: In the Kunlun Mountains.
Host (Guo Yu): Where is the bike ride?
Zhao Han Tang: It is also Kunlun Mountain.
Moderator (Guo Yi): Are you not afraid?
Zhao Hantang: But where there is fear, we would have been looking for a little guy to make this movie, but I couldn't get down at high altitude. Later on my own, there was no problem at high altitude. Later, I was on my own.
Moderator (Guo Yu): Injuries should be routine, during this shooting process.
Zhao Hantang: Because I grew up in Sichuan, I had rheumatism as a child, but after the film was finished I was all well.
Moderator (Guo Yu): Really, you are living in adversity. People may not be suitable for you in the city. You still go back. It can be said to be easy, including saying that the physical condition of the entire person needs to be tested by the environment before it can be gradual because the director likes to challenge, love people who travel, and his own life. The whole state is presented in the film, and I believe this It is the greatest wish. In fact, when it comes to the director, I started to talk about the feeling in front of the film. I want to expect to talk with the director. However, when I saw the video introduction, there were many heroes behind the scenes, including our teacher Li Pingbin. Everyone liked and worshiped very much. He won masterpieces of the Golden Horse Awards. I don’t know if you come to him. What kind of state? To him.
Zhao Hantang: Actually, it is not just Bingo. I would like to say two more. At the earliest time, we had such a thought that we wanted to make this movie. We were supported by a lot of friends around us. Mr. Li Zhigang and Mr. Song Guangming gave an encouragement first. Let's go and shoot, shoot different films, shoot a movie with sincerity, . Later we also produced people, and our producers joined us to support us, and we continued to give us confidence, including the Beijing Film Festival. Through a trailer, we gave us more than 200 creative projects through a specific story. This award. Later, when we found Mr. Li Pingbin, Teacher Li did not promise us that he would go back to think about it and give it up. Maybe he thought Teacher Li would not come. Did not expect a week later he suddenly said I was coming, and later learned that he returned home in Los Angeles to climb the mountain.
The host (Guo Yu): I feel that physical strength can not be achieved.
Zhao Hantang: Yes, he wants to be himself. He does a medical examination. He can't rashly promise. He climbed up cautiously and exercised himself. He promised me, including many teachers from Du Fu, He Guojie, and Liao Qingsong. Teachers, these movie masters all think that this movie is a serious film. After joining in, including Jiang Yiyan, our teacher Xiaojiang, after giving the project book to her, she is very pleased to participate in our project. Come, in such a cold place in Tibet, everyone saw the strong winds. She also insisted on taking shots at minus 20 degrees. It is worthy of our admiration.
Host (Guo Yu): So many behind-the-scenes heroes have paid too much effort for this. We know that in this polar environment, people take a lot of energy to consume. We are so many people in the process, we have to carry the machine on the road, can not stand physical strength, want to give up, and later because the team spirit should persist.
Zhao Hantang: Later, Mr. Li Pingbin said: We have created a miracle. One-third of his previous filming in Lhasa had a high resolution. Three of our crew had mild pulmonary edema. One was asked to help us repair the car. The back was cold. There was also an on-site producer. Another colleague was cold. The slight pulmonary edema was absent from others. thing.
Moderator (Guo Yu): All experience. The director said just now that we are a prototype adaptation. I believe that the screenwriter teacher has devoted his efforts. I think the prototype of the character is on the big screen and is presented as a good story. This is a big challenge. Please come to our screenwriter, Mr. Cao Jinling. At the center of the stage, we welcome Professor Cao Jinling. Teacher Cao has written more screenplays.

Cao Jinling: Hello everybody, I'm a screenwriter Cao Jinling.
The host (Guo Yu): Welcome to Mr. Cao. Thank you for your hard work. You moved this very sincere film to the big screen. You have encountered difficulties in the adaptation process. Although there are real prototypes, this is a real adaptation. The challenge is to have a great span.
Cao Jinling: Yes, I was involved in the screenwriter because the main story was basically formed on the director's side. When I received the project, I was particularly touched because the story itself impressed me that he had prototypes. Yang Liusong was not a professional explorer. He was a city life person like us, but he should one day break the rules. Looking for a new self, looking for interesting ways. This story touches me very much. This is the inner meaning of our film. I hope we can face each other in the end of everyone's life. Indeed, there are very few people who really live. I hope When we see such a movie, we can stop it and walk in a hurry to see whether it can have a better way of life.
The host (Guo Yu): Seeing this film has a better spiritual baptism, can let oneself calm down and think more about life, more ideals.
Cao Jinling: Yes, the director starred in this movie. After he had known him, he was actually such a person. The director turned out to be an actor. He basically put himself in the mountains in addition to filming.
Moderator (Guo Yu): He likes adversity.
Cao Jinling: Yes, the main treatment for rheumatism. He was actually such a person. When he saw him, the movie was a pause. The insistence of the director was particularly touched by me. In the process of adaptation, we also put a lot in, in addition to the prototype, put the director's mood in it.
The host (Guo Yu): So we said that we also completed this work upstream. Thanks to Teacher Cao for joining us in such a sincere state. What else does the director have to say?
Zhao Hantang: We have been writing this screenwriter for a long time, and our screenwriter Gao Zheng also came.
Moderator (Guo Yu): There are many good friends who come today to give our film to work together to witness the moment. Please thank Mr. Cao for taking a break. When I talked about Yan, we couldn't think of it. Although she usually loves to travel girls, I think that in this kind of place, a typical actress can promise to give too much courage. How do you convince her?
Zhao Hantang: Actually, when Xiaojiang teacher promised to come, he hadn’t met with Teacher Xiao Jiang. We just passed the project and the script to Xiao Jiang teacher through a friend. Thank you very much. Very surprised. Xiao Jiang teacher is pleased to join our team and join us. Take a shot in Tibet. We were in a row. Xiao Dan’s partner Dan Dan gave us a schedule to let us be very nervous and couldn’t finish it. Or, Xiao Jiang’s teacher patted her happy and gave us more time to finish the movie.
The host (Guo Yu): She is also a person who likes to challenge. Please come to Jiang Yiyan to come to the center of the stage to welcome Yan. So beautiful, she was very busy. This time, the Beijing Film Festival twice went to the red carpet. After this period was exhausted, this time with our film to shoot this factory, there are many words and media friends said. May wish to say hello first.

Jiang Yiyan: The media friends at the scene are all well and there are many of our crew members who are here today, especially happy to meet with you.
Moderator (Guo Yu): Seeing so many good friends, did you think of shooting so many difficulties and memories?
Jiang Yiyan: Actually, I think that taking part in this movie is still a very special experience for me. It may not be such a long time to make a movie. I believe that for Li Pingbing, such a master is also the same feeling. Maybe we make a lot of commercial films and shoot a lot of big movies. Did we like movies in the first place? Then we wanted to make a movie purely. When the director asked me, I knew it would be difficult. There should not be a lot of money, but I still want to participate. I think Look for the feeling that originally liked movies.
Moderator (Guo Yu): What do you think is the reason for persuasion? Give yourself a lesson and explain that you are challenging this work. In the face of so many difficulties, I have no regrets. I have promised this show and why I have challenged my physical strength, my brain and my heart.
Jiang Yiyan: I just said that the director cured his rheumatism. Why did I not recover from the plateau? It has been a bit swollen.
Moderator (Guo Yu): No.
Jiang Yiyan: It's true that the whole shot was rather difficult. I remember that I had a scene in the car. Actually, the director was outside the car. I saw the mirror's head was white and the whole head was hard and it was frozen. Stayed, and I was in the car. They were outside the car. I remember when I was in Lhasa, the conditions were better because we were staying at the Shangri-La Hotel. Filming during the day and breathing oxygen at night.
Moderator (Guo Yu): This is the biggest challenge, the most difficult shooting code?
Jiang Yiyan: It is also the most enjoyable.
Moderator (Guo Yu): Enjoy, you guys who like the polar challenge, no wonder you guys got together in this movie and become partners.
Jiang Yiyan: Our crew members have the same values.
The host (Guo Yu): Because there was no cooperation with the director before, because the film met, I do not know if the whole person has any impression of contact, two can not say, please tell the director first.
Zhao Hantang: At the scene, she took special care of the actress. Because the previous filming was with the wolf and the animals, there was an actress who was particularly concerned about fear of taking good care of him. There was nothing wrong with it. There was no high-confidence, and she was very uncomfortable. Xiao Jiang teacher smiled. Tell us nothing. In fact, we later knew she was uncomfortable. When she first arrived in Lhasa, she had a cold. The first two days were very high. The Xiao Jiang teacher was the highest at 2,200 meters. Xiao Jiang always insisted on shooting. This is a place we greatly admire.
The host (Guo Yu): The director told me that he had a cold during the shooting. It was a terrible thing to catch a cold during the altitude sickness.
Jiang Yiyan: Actually, I'm fine. I think Bingo was quite ill at the time. We had been coughing because we were filming quietly. He was squatting. When the director shouted cards, he just coughed. I was particularly afraid of emphysema. The state of the special cough, the whole body is particularly deadly.
Moderator (Guo Yu): This is a particularly terror phenomenon.
Jiang Yiyan: My assistant just went up and asked her to return to Beijing because she was also on the first day of her arrival or the next day she went to the military hospital to fight high salt water.
Moderator (Guo Yu): The body can not stand it.
Jiang Yiyan: Right.
The host (Guo Yu): When the assistant looks at his family artist, he can be a good candidate. He likes to challenge the assistant to consider his own body.
Jiang Yiyan: I myself take care of myself.
Moderator (Guo Yu): You are so strong.
Jiang Yiyan: No.
The host (Guo Yan): When you look at the screen in a wheelchair, the wind blows over the cold and realizes how cold and how difficult it is.
Jiang Yiyan: I have no idea, I feel let the wind blow, feel the violent nature.
The host (Guo Yu): There is a state of full-face appearance, and idols have lost one place.
Jiang Yiyan: Actually, there is absolutely no makeup at all. Let the makeup artist slightly ugly. Don't just clean the net, turn black, do plateau red, add freckles like this, but in fact, these things were done later when they were photographed. After the end of the plateau red, I feel very cute.
Moderator (Guo Yu): These pictures are very precious memories for you. Where we haven't traveled, in order to take a sneak peek, the director went to the five largest areas of no man's land when he was filming. These are places you haven't used. Have you ever thought of challenging the future and feelings?
Jiang Yiyan: In fact, I always wanted to go to Tibet, but I did not have such an opportunity because making a movie really means that you can't travel to this place at ordinary times. I think it's also why people watch this movie because you really see a lot of us. The place I couldn't reach was so beautiful. I remember that when I received the film, the director showed me the film. The scenes were shocked. Did you direct the team to a savage team? How can you take this picture? ? Want to say that well, to feel it.
Host (Guo Yu): For you, it is a very memorable memory for the director. We hope that the beautiful memories will be recorded. This is a memory that can always be treasured. Whether the director has a gift is not for a swallow.
Zhao Hantang: This is where the sponsor wants to take this opportunity to give to Xiao Jiang.
The host (Guo Yu): This wheel has good features and it is very difficult to match today.
Jiang Yiyan: Can I cross it?
The host (Guo Yu): This dress is not convenient. There is no support point.
Zhao Hantang: I'll support it.
The host (Guo Yu): This is a media teacher recording this moment, this bicycle is also the director to accompany him throughout the adventure. Next, take a group photo. Thank you, this bike rides quite a bit in Beijing. Will not feel it.
Jiang Yiyan: I think I can go to no man's land.
Moderator (Guo Yu): Really, the next time the director has such a movie, let Yan to ride a bicycle.
Zhao Hantang: Yes, we will take more than a series of outdoor related movies, mountaineering and sailing in the next few years. Can you ask Xiao Jiang to help us choose the camp.
Jiang Yiyan: We look at our own body.
The host (Guo Yu): The director's job with such a fate can not follow him completely. If the right opportunity can bring beautiful videos to the audience, it is also your wish. Please take a break from the two stations and see you on the stage for a while.
In fact, the two said such content, in fact, the film covers a little bit, and then to show everyone this is our movie "Seven-Seven-day" for the first time the exposure of the movie screen, we can enjoy a different look, see the big screen.
(Play VCR)
The host (Guo Yu): It really made us amazing. We made a shock. We saw snow mountains, rivers, and storms. When we saw these we couldn't see yak, prairie wolf, and groundhog. We were in big cities. People living in the country feel the prairie and challenge the beauty and admiration why the film investor sees a unique state. Why do you have the courage to vote for this kind of movie? Please come to our product producer and the chairman of Red Coral. Ms. Mei came to the center of our stage to welcome Wang. Welcome, I think if you go, you will be blown away. Give everyone a greeting first.

Wang Mei: Hello everybody, I'm Wang Mei, chairman of Red Coral.
Moderator (Guo Yu): What kind of courage to shoot such works? Love travel in peacetime, because of his love to see the call of the soul, for the film's efforts.
Wang Mei: Yes, I personally like Tibet very much, and I am especially fascinated by the scenery of the polar regions at a high altitude. When Zhao Dao initially talked about this film, he hoped to actually enter Tibet and go into a real desert scene. This made me very With great interest, in the next communication, I felt the persistence of Zhao Dao. His personal charisma made us personally appreciate it. At the same time, he is also an experienced outdoor sportsman. This is more confident that he has the ability, strength, and physical strength to complete difficult, high-altitude shooting. At the same time, the subject matter of the film and the degree of hardship of shooting are also unprecedented in the history of Chinese cinema. In a word, it is my personal feelings. In addition to the charisma of Zhao Dao, the temperament of this movie made me invest in Red Coral.
Moderator (Guo Yu): This is the most unique investment.
Wang Mei: Yes, not only is it the most unique, but also fulfills one's dream. It's also ten years later, and after 20 years it looks like the most shocking afterwards.
The host (Guo Yu): Thanks for the efforts made for this film, thank you Mr. Wang. Actually, the hard work for this film is not only Wang Zong. He also loves movies. He has made great efforts for the film. Then he asked our film producer Mr. Cao Dayong to come to the center of the stage to welcome Cao. total. When I met Cao I was always a very senior person in our industry. There are many words to invest in this work.

Cao Dayong: Actually contacted a group of like-minded friends in this drama, with a group of people with ingenuity.
Moderator (Guo Yu): You also like to challenge yourself.
Cao Dayong: Conquered by the courage and tenacity of the director, including the producers and the producers were impressed by the personal charm of the director.
The host (Guo Yu): The director is too charming.
Cao Dayong: Including not only feelings, I believe that this film has ideals, connotations, feelings, and films worthy of unique Chinese movies.
Host (Guo Yan): Is this the first movie you have ever experienced?
Cao Dayong: It should be.
Moderator (Guo Yu): In the future, I do not know the early works in this direction, including the works that the director said just now that he has many challenges for him to go side by side.
Cao Dayong: This is a certain thing. From last year's planning of sailing projects, there were early filming of lead films last year. After the "Seventy-seventh Day" screening, there were other works for fans.
The host (Guo Yu): I am looking forward to it. Then I invite Song Guangyu, one of the film investors, to be the master planner of the "Seventy-seven Days" program. Welcome Teacher Song. Let's say hello before this, today is a costume attendance.

Teacher Song: Hello everyone.
The host (Guo Yu): We had a deep fate with all of our filmmakers. We also joined the film and became very good partners. For this video, everyone needs to share it. I do not know what I want to hear.
Teacher Song: Everyone would like to know how Zhao led me to invest in this movie.
Moderator (Guo Yu): Of course, can convince you to prove that he is very good eloquence.
Teacher Song: He was a little trick. We met each other in the National Hotel. He said that there was a prototype and if there was a prototype, he told me about the passing of no man's land. It talked about the plot with Wolves. Today, I saw it. To the real screenwriter, I would like to ask, is this archetype in yours, and is this paragraph of Wolf true or grafted?
Moderator (Guo Yan): Is this an interview? Teacher Cao would like to say something. We asked the director. I think the director is more realistic in shooting.
Song Guangyu: But needless to say, when he said that this period of wolf impressed me, why? Because when I was 17 years old, this experience was personally experienced by me. I was alone in an area of ​​more than 2,000 meters above sea level in Inner Mongolia? ? In Xilinbuh, where a wolf totem was made, a man ran sheep in Inner Mongolia. There was a section of 150 kilometers. On that day, a wolf followed me. The entire world was a wolf and me in the entire world. In the Gobi Desert, he followed 60 people. Kilometer, has been following the sunset of the sun on the Western Hills. I believe that in the world, when a person is with a wolf, I am not alone when I am with a wolf. I want to have a movie to show that experience. At least I have real experience.
The host (Guo Yu): I feel myself in it.
Song Guangyu: Yes, when Zhao came in just a moment ago, he said another sentence. Just now, you saw that Zhao guided Jiang Yiyan to a bicycle in a deserted area in Tibet. Zhao guided me to give me something to guess. .
Host (Guo Yu): Send you a wheel.
Song Guangyu: The bicycle is two wheels. He gave me four legs and sent me a newborn wolf. Because this wolf became affiliated with us and told the story of this wolf at the National Hotel. This is what I can hear. There are personal experiences of people who are truly with the wolf. So, I think Zhao Dao sent me a wolf today.
The host (Guo Yu): Can't you accept it?
Song Guangyu: Unless specifically raised.
The host (Guo Yu): This is a sincere leader of Zhao.
Teacher Song: This is our bond. When I was in Lhasa, Zhao Dao, I, and Yan Yin were all in Tibet at that time. At that time, there was no no man's land. I had been going there several times for this, so I said that this movie must be very shocking. A unique film. I also know that such a film is a good thing. Post-production is very important. We are very much looking forward to being a boutique. Thank you.
The host (Guo Yu): Thank you, Song teacher, for taking a break. Actually, we are very grateful for this film, which has given us no chance to come to no man's land, including higher altitudes, to experience it. In fact, we have a special photo session. Although we haven't visited, we haven't visited. I hope to experience the spectacular elevation of 6700 meters at a high altitude. We set up today's LOGO card specifically. Please come to the center of the stage with Director Zhao Hantang and actress Ms. Jiang Yiyan. Please take a photo with the two LOGOs on the back panel.
Next, please cooperate with the team is behind the scenes of the hero team, welcome to our master plan Song Guangyu teacher, Li Shuanke, Li Xuegang, producer Wang Mei, Zhu Liping, Zhao Wei, Li Dandan, Wang Hui, Yu Yugang, and producer Tong Guoqiang, Cao Dayong, Da Wha Sang-Zhou, Li Zhi-Gang, Yang Lan, and the playwright Cao Jinling came to the center of our stage to take photos and welcome everyone.

I hope that everyone will help us to publicize and support this piece of work that is sincere, hard-working, persistent, and brave. This is a conscience and thanks for cheering on our film. This is our time for group visits. , Please director, Yan Yan standing in the center of the stage, the teachers for media interviews, there are microphones, the staff handed a little.
It is time for group visits.
(Group interview)
Media: Mr. Jiang Yiyan, I would like to ask you a question. Your movie production is very much like the costume series. You are returning to modern drama this time. In the wheelchair part of the trailer, I am thinking of a new challenge in acting skills. Because there are people with disabilities in the inside, I would like to ask you about this issue.
Jiang Yiyan: There is a similar place, but there is also a very different role, because she is actually the prototype of the character is called the blue sky. He is now living in Tibet, and he has no perception of a female photographer below his chest. When I was in contact with her at the time, I still felt that she would be harder to come by and how I would experience life with her. But in fact it was later discovered that she was really strong and stronger than I imagined. Later he became a good friend when he finished the show. He sent me photos of skiing and she did things that I couldn’t imagine. I have played such a role, but also think that life is infinitely possible. The more you experienced the hardships, let your innermost potential explode. This role is a brave experience for me that I have not experienced before.
Media: Yi Yan, hello, just watching the trailer and taking a wheelchair for the entire time. I don't know what to get in a wheelchair.
Jiang Yiyan: I went ahead and went to the Potala Palace with a wheelchair in the blue sky. We sat in a wheelchair chatting and taking pictures. I sat in a wheelchair and quickly got used to it. There were some actors sitting in wheelchairs and getting into the car myself. Get off the train, drive yourself, and of course there is the final stand up part of the show. The director gives me the imaginary things. Anyway, I think the heroine has a prototype, so it's not particularly difficult for me because I always follow She has contact and imitation.
Media: Does it feel more difficult? After all, you can't walk back and forth. You can't walk with your feet.
Jiang Yiyan: I think it's okay because I'm in a wheelchair. I've been standing at the director and couldn't find me. I'm always squeezing and I've been scurried.
The media: With this kind of hardship, I know that you recently attended the "Lang Reader" to share with you the most memorable teachers. You are a teacher and you are a dance teacher. Can you share the most touching feeling among your teachers? The warm details of the story? Tell us about it.
Jiang Yiyan: Yes, I think I'm very fortunate because I have always met some very special people in my life journey, including my role as a blue sky woman. My teacher is also a strong and courageous person. Although he has been ill for nine years, he has always given us a maximum of faith, love and courage. These have always run through me. Including me picking up the film, I took this movie. I think this Very big love and energy, the energy of courage, I feel that the director is very unimaginable to do this film, I feel very risky and dangerous to lead such a group of people. He did it for the movie, so I think that The participants are actually very rare. It is also true that it is very pure to make a movie. It is very rare. Thank you.
The media: The special experience of the dance teacher, only to do charity, to the mountains as a teacher, Xiaojiang teacher is because of this?
Jiang Yiyan: I think that it will affect you. When you meet some people, you will still shoot movies. I think these have changed you. After I finished this movie, I also thought about the movie I had taken before. What movie I wanted to shoot in the future, I think it had an impact on my future. I may hope that I feel this society, most of the time, I become impetuous, really take a good guide, good value of the film, positive energy.
Media: Ask the director. Actually, the heroine is not easy on the plateau.
Zhao Hantang: We also saw Xiao Jiang’s work. At the earliest time, we also suggested that we didn’t know the schedule of Xiao Jiang’s teacher. I found Xiao Jiang’s partner through a friend’s transfer. Through this project, we sent it to Xiao Jiang. We very unexpectedly got Xiao Jiang’s teacher to join this. Works add luster to this work.
The media: You have cured rheumatism on the plateau. You are afraid that you will not get sick on the plateau and there is no insurance or the like.
Zhao Hantang: We bought insurance for the entire crew, and then this concern about my rheumatism was later discovered. Xiaojiang was particularly worried that starting from her arrival at the airport, we were concerned about the whole process. Our production director was also from the life, including the oxygen generator. I think it is very comprehensive, including shooting at each stop, keeping an eye on how Xiaojiang’s teacher is, and she will not be anxious and will not worry about colds.
江一燕：整个谈团队工作人员对我特别照顾，制氧机我房间里面准备好的。全程最困难上厕所的问题，整个剧组没法解决，所以那一段时间，我最痛苦的一想到上厕所该怎么办，风又特别大，剧组准备了换衣服的账篷，可是我支在那儿账篷被吹走，需要五六个工作人员固定住，他们在旁边上厕所很困难，所以这是高原很难克服的一个问题。
媒体：上洗手间很困难，是不是洗澡更难洗，更别想了，你几天没有洗澡？
江一燕：全组都不怎么洗澡，大家都一样，就无所谓了。
赵汉唐：天气特别很寒冷，大家不太有洗澡的需求，空气比较干净。
媒体：问一下一燕拍摄技巧、摄影技巧很不不错的，上了高原有没有拍摄大片。
江一燕：我在西藏什么都想拍，导演给我找了司机，不知道他们俩是不是串通好，停一下，我拍一张照片就走，司机永远说，小江老师，前面有更好的，一路往前开，永远不给我停车。后来问导演，这是不是跟司机说好了，为什么总是这样。尽管这样，我还是拍了很多片子，我在上海做摄影展的时候，西藏的片子大概就有五六张，虽然一瞬间拍，拍的还挺好的。
赵汉唐：是的。
媒体：你好，我是纪录片频道的，我想问赵导，电影当中有狼的镜头，在拍摄当中，有没有遇到一些困难？会不会狼很暴躁的时候有没有受到伤害？
赵汉唐：这个靠单量，真正找小帅哥来演完不成拍摄，这个狼我们自己在养，慢慢跟他熟悉，我们也慢慢寻找它的规律，黄昏的时候回到我们建的狼舍里面，建一个账篷跟它接触，在这个过程当中也会着急，也会暴躁，我们预备开始就凶，转身完成了。
媒体：这个表演天分很充足了。
赵汉唐：是，我们大狼小狼都有他们的名字，对我们的动物以示尊重。
媒体：透露一下，你们现在跟狼什么样的状态，情感上有没有变化？
赵汉唐：戏里面比较凶的狼已经怀孕了，正式期待生出狼宝宝，也希望和我们电影跟大家见面。
媒体：好的，谢谢。
赵汉唐：谢谢。
主持人（郭玮）：最后一个问题。
媒体：赵导，我们看到这个片子从头到尾跟一辆洛克自行车相伴，在这个片子拍完了以后，有没有觉得车技有提高，后面有没有真正喜欢上自行车运动。
赵汉唐：我比较喜欢极限运动，像登山、帆船、帆板比较喜欢，这部车没有机会骑它，后来请到了替身，难度特别大的，他们因此受了伤，这也是向他们致敬的地方，未来我想也许爱上它，也会去骑的。
媒体：问一下小江老师，后面跟赵导骑车，提高他们的水平。
江一燕：你是自行车公司的。
媒体：我是自行车媒体的。
江一燕：我非常喜欢骑车的，在高原骑车没有尝试过的，也没有那辆自行车那么大型号的未来的话，拍完这个电影对户外更感兴趣，多去学一学滑雪，我的原型蓝天都去了，包括汽车，包括帆板都蛮感兴趣的，一部电影也会改变一个人的性格。
媒体：谢谢。

主持人（郭玮）：感谢小江老师，感谢赵汉唐导演，感谢今天到场的嘉宾和媒体朋友，我们今天发布会到此结束了，感谢各位。
赵汉唐：谢谢大家。
江一燕：谢谢。

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