Second, the basic type of brightness contrast
After the combination of two or more hues, the color contrast effect formed due to the difference in brightness is called brightness contrast. It is an important aspect of color contrast and is the key to determining whether a color scheme feels crisp, clear, boring, soft, strong, or not.
The contrast depends on the color difference level in the brightness and so on, usually 1-3 as a low brightness area, 8-10 as a high brightness area, 4-7 as a medium brightness area. (Figure) When selecting colors to be combined, when the distance between the base color and the contrast color is 5 or more, it is called long (strong) contrast, 3 to 5 is called middle contrast, and 1 to 2 is called Short (weak) contrast. Based on this, it can be divided into nine basic types of brightness contrast. (Figure)
(1) High and low tone such as 10:8:1, etc., of which 10 are shallow color toning, the area should be large, 8 is light color matching, and the area is also large, 1 is deep contrast color, and the area should be small. The adjustment is dark and contrasty, feeling stimulating, lively, active, lively and strong.
(2) High school tune up to 10:8:5, etc. The tune is dark and moderate, feeling bright, pleasant, clear, vivid, and stable.
(3) High-short tune, such as 10:8:7. The tune is dark and the image is indiscriminate. It feels elegant, pale, soft, noble, weak, sly and feminine.
(4) Middle tones such as 4:6:10 or 7:6:1, etc., the tone is based on the tone of the Ming Dynasty, with the color, with a light or dark color for comparison, feeling strong, stable and vivid, male Change.
(5) The medium and middle notes such as 4:6:8 or 7:6:3 are equal.
(6) Short-term adjustments such as 4:5:6 and so on, the adjustment is a weak contrast between the Chinese and the Ming, feeling subtle, flat, and fuzzy.
(7) Low tone, such as 1:3:10. The tone is dark and contrasting. It feels majestic, deep, alert, and explosive.
(8) The low-middle note, such as 1:3:6, is dark and contrasting, feeling conservative, heavy, simple, and masculine.
(9) Low-pitched tune, such as 1:3:4. The tune is dark and contrasty, feeling gloomy, melancholic, mysterious, lonely, and horrible.
In addition, there is a strongest contrast 1:10 longest tone, feeling strong, simple, stiff, sharp, dazzling and so on.
<3> Basic types of purity comparison
After two or more color combinations, the color contrast effect formed due to different purity is called purity contrast. It is another important aspect of color contrast, but it is easily concealed because it is more subtle and internal. In color design, purity contrast is the key to determining whether the color tone is gorgeous, elegant, primitive, vulgar, implied or not.
The strength of the contrast depends on the distance between the color and the color difference on the color difference. The longer the distance is, the stronger the contrast is, and vice versa.
If the gray-to-pure fresh color is divided into 10 equal-difference progressions, 1-3 is usually designated as a low-purity zone, 8-10 as a high-purity zone, and 4-7 as a medium-purity zone (figure). When choosing a color combination, when the distance between the base color and the contrast color is 5 or more, it is called a strong contrast; 3 to 5 is called a middle contrast; and when 1 to 2 is called a weak contrast. Based on this, nine basic types of purity can be distinguished. (Figure)
(1) Freshly emphasized, such as 10:8:1, it feels bright, lively, lively, gorgeous, and strong.
(2) Fresh middle notes, such as 10:8:5, are more stimulating and lively.
(3) Fresh and weak tone, such as 10:8:7, etc., because the color purity is high, the combination and comparison play a role of resisting and colliding with each other, so it feels glaring, tacky, naive, primitive and hot. If you are far apart from each other, this effect will be more pronounced and stronger.
(4) emphasizes such things as 4:6:10 or 7:5:1 and feels appropriate and popular.
(5) Middle and middle notes, such as 4:6:8 or 7:6:3, are mild, static, and comfortable.
(6) Weak tone, such as 4:5:6, feels flat, ambiguous, and monotonous.
(7) Gray emphasizes 1:3:10, etc. It feels generous, elegant and lively.
(8) The gray tone is 1:3:6, etc., feeling mutual, quiet, and larger.
(9) Grayish tone, such as 1:3:4, feels elegant, delicate, patience, subtle, envy, and weak.
In addition, there is a weakest achromatic contrast, such as white: black, dark gray: light gray, etc. Since the purity of the contrasting colors is zero, it feels very generous, solemn, elegant, simple.
(to be continued)
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